Oh My I Did It Again
Oops!... I Did It Again | ||||
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Studio album by Britney Spears | ||||
Released | May iii, 2000 (2000-05-03) | |||
Recorded | 1999–2000 | |||
Studio |
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Genre |
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Length | 44:37 | |||
Label | Jive | |||
Producer |
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Britney Spears chronology | ||||
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Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the 2d studio anthology past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby One More Time (1999), it is a pop, dance-pop, and teen pop tape, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Once again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the top ten in various others. In the United States, information technology debuted at number i on the Billboard 200, with first-week sales of one.39 meg copies, becoming the fastest selling album past a female artist since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[3] This tape was broken fifteen years later by Adele's 25, which sold over iii.38 million copies in its first week of release.[4]It became Spears' second sequent album to exist certified Diamond by the Recording Manufacture Clan of America, denoting sales of over ten million copies in the U.s., making Spears at age xviii the youngest artist to have multiple diamond albums.[5] With worldwide sales of over xx one thousand thousand copies,[6] Oops!... I Did It Again is one of the acknowledged albums of best.
Four singles were released to promote the album. Its title rail was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number 9 on the The states Billboard Hot 100. Its second single, "Lucky", peaked at number one in Republic of austria, Deutschland, Sweden and Switzerland, inside the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United kingdom of great britain and northern ireland, and at number xx-3 on the US Billboard Hot 100. Its third single, "Stronger", reached the height ten in Austria, Finland, Deutschland, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the anthology, receiving a Gold certification in Australia, Denmark, Federal republic of germany, New Zealand, Sweden, and the U.s.a.. Its final single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the elevation 10 in Republic of austria, Poland, and Switzerland, but failed to nautical chart on the Us Billboard Hot 100. To promote the album, Spears performed on several goggle box shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She too was the host and musical invitee for the starting time fourth dimension on Sabbatum Dark Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Stone in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first anthology, I had only turned 16. I mean, when I look at the anthology cover, I'1000 similar, 'Oh, my lordy.' I know this next anthology's going to be totally different--specially the material. I merely got finished recording the get-go half dozen tracks in Sweden two months ago, and the textile is so much more funkier and edgier. And, of course, it'south more mature because I've grown as a person likewise."
—Spears on the progression of her material for the album.[7]
Afterward vacationing for six days following the completion of the ...Baby One More Fourth dimension Tour in September 1999,[8] Spears returned to New York Urban center to begin recording songs for her next album; the majority of the recording took place in Nov. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (after covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the start week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Permit Me Be the Last to Know" at Robert Lange'southward villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You lot Now" was an outtake from ...Baby Ane More than Time. "Girl in the Mirror" and "Tin can't Brand You Dearest Me"'southward instrumental rails and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upward with producer Steve Lunt to tape Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Kiss from You lot" was also recorded at Battery Studios but was later finished at tertiary Floor in New York Metropolis. Spears too recorded the last track for the album "Honey Diary" which would afterwards be completed at Eastward Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterwards attending the 42nd Annual Grammy Awards.[13]
By January, the so-untitled album was halfway to completion; Spears had worked on information technology primarily in the Usa and Sweden, and finalized material in New York City.[ix] She was heavily pressured after ...Baby One More Time 's huge commercial success, stating: "Information technology'south kind of hard following ten one thousand thousand, I have to say. But later on listening to the new material and recording it, I'm really confident with information technology."[fourteen] Upon the release of Oops!...I Did It Over again, Spears said: "I mean, of course there's some pressure", and added: "Only in my opinion, [Oops!] is a lot improve than the first anthology. It's edgier – it has more of an attitude. It'south more me, and I think teenagers will relate to information technology more than." Geoff Mayfield, director of Billboard charts, added that the determination to release Oops!... I Did It Again less than a twelvemonth and a half afterward Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, get 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did Information technology Over again was considered as a sequel to Spears' debut album, ...Baby One More Fourth dimension (1999),[1] percolating with a advisedly measured alloy of familiar pop, funk, R&B and power balladry.[xvi] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "Information technology's non something I changed purposefully", Spears said of the album'southward sound and added: "It's just something that kind of changed on itself with me being older. My voice has changed a fiddling bit and I'chiliad more confident, and I think that comes beyond on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked almost working with Spears on a Rolling Stones embrace, stating: "It's going to daze everybody", adding: "It has flavors of the original, simply it's a straight 2000 version — new to the ear. Which I retrieve is absurd, considering people who appreciate that song are going to love it. And I made it then new and young that the young kids that love Britney are going to love it. It's going to grab both a mature and young audition."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When y'all hear the vocal, it's so pure and frail. Information technology's merely one of those songs that pull you in", and added: "I think they wrote it 'peculiarly for me, because the lyrics of the song, if you actually listen … they're more of what I tin can relate to, 'cause they're kind of young lyrics, I retrieve. I don't think Shania would probably sing some of the words that I'm saying."[17]
The title track and opening song, "Oops!... I Did Information technology Again", was compared to her debut single, "...Baby One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized shell. Lyrically, the song sees Spears alert to an overeager prospective lover: "Oops, you lot think I'm in beloved/That I'm sent from above — I'g not that innocent."[xviii] The song likewise breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[xviii] The second track "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[xx] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More Time".[17] Another R&B-infused rails, which likewise adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakup.[xx] The fourth track, a encompass of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown downwards, turning the song into an urban stomp.[21] The trip the light fantastic-pop version also jettisons the song'southward final verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my idea [to tape the song]", Spears said. "I was but like, 'I like this song,' and I think it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[13] The 5th track, "Don't Permit Me Exist the Last to Know", was co-written by state-popular singer-songwriter Shania Twain and her then-married man, producer Robert "Mutt" Lange, who as well produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a scrap of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say yous're into me ... but I demand to hear information technology directly from you lot", she sings.[17]
The sixth rail "What U Meet (Is What U Get)" demands respect by rebuking a jealous partner,[twenty] while the seventh runway, "Lucky", is a heart-rending tale of a Hollywood starlet'southward loneliness, proving that fame can be empty.[20] "If at that place'south nothing missing in my life/Then why exercise these tears come up at nighttime?", she asks.[nineteen] "Schoolhouse vanquish" is the theme of "1 Buss from You",[20] a track that has a reggae-style trounce and lyrics near the feelings of falling in love, and the quickness of it,[23] with Spears cooing that later on only 1 kiss she sees her entire future with her lover.[24] The carol "Where Are You At present" talks about wanting to know where a previous dear is, and what that person is up to, so that she can finally permit them become and find closure.[ commendation needed ] Lines on "Can't Make You Honey Me", a Europop song,[21] state that fancy cars and money pale in comparison to truthful love,[xx] with Spears singing: "I'm but a daughter with a beat on you."[21] The mid-tempo, synth-backed "When Your Optics Say It", written by songwriter Diane Warren, combines a cord department with a loping hip hop vanquish,[17] while Spears makes her ain songwriting debut on the minor, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to get "so much more than than friends" with a boy.[17]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United kingdom.[25] In Italy, she did a short interview on the television show TRL Italy in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[25] In Spain, she gave an interview with El Rayo on September 8 and Oct 24.[25] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a brusque United Kingdom outing in October 2000.[26]
Oops!... I Did It Again was first released in Japan on May 3, 2000, and was later released in the United States on May 16. In the United States, Spears appeared on Saturday Dark Alive on May 13, The Rosie O'Donnell Prove on May 15, and Teen People'south 25 Under 25 on May 26.[27] On May 10, she was interviewed on Tardily Nighttime with Conan O'Brien.[25] On May thirteen, Spears was both the host and musical guest on NBC's Saturday Night Alive. She as well performed on NBC's The This evening Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney's First Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[29] On May 14, she was at Times Square studios for 2 hours of "Britney Alive" that started at apex.[29] Spears performed "Oops!... I Did Information technology Again" on MTV'southward All Access: Backstage with Britney that was circulate on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[thirty] which included a cover of the Rolling Stones's hit unmarried "(I Can't Go No) Satisfaction" (1965) and her own hitting "Oops!... I Did Information technology Once again", released before that year. While she began her segment in a black suit, she shocked the audience and the media while, at simply the historic period of eighteen, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One calendar month earlier the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Fox goggle box special titled Britney Spears in Hawaii. The free concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did Information technology Once again album that features her twelve new songs.[32] Spears had on a month-long international promotional bout in support of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at viii p.m. (ET/PT).[34] She was as well expected to appear on a Grammy-24-hour interval TRL.[34]
The anthology's supporting tour, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears's 50-city summertime concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released as the lead single from the album and achieved worldwide popularity. It became Spears'due south tertiary top-10 hit single on the Us Billboard Hot 100, peaking at number 9; yet, in comparison to the huge success of her debut unmarried "...Baby One More Time", Jive Records considered "Oops!... I Did It Over again" a minor disappointment.[36] The song peaked at number one on the US Mainstream Top forty,[37] holding the tape for the nigh radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Commonwealth of australia, Belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Espana, Sweden, Switzerland and the United kingdom of great britain and northern ireland.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic ruby-red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[39]
The album's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered ane of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number 5 on the UK Singles Chart.[twoscore] In the United States, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Meridian 40.[36] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]
The third single, "Stronger", was released on October 31, 2000 and became the album'south second highest-charting single in the The states, peaking at number 11 on the Billboard Hot 100 and number 1 on the Hot Single Sales.[36] It reached number seven on the Great britain Singles Chart.[42] Its music video sees Spears communicable her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]
The fourth and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is 1 of Spears' favorite tracks of her career. In the Usa, the song performed well below expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Pinnacle 100 and peaking within the pinnacle ten in Republic of austria, Poland and Switzerland, while merely missing the top 10 in Frg, Ireland, Sweden and the Great britain, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in dearest scenes with her fictional boyfriend, played past French model Brice Durand.[45]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Optics Say Information technology" was released in the United kingdom in January 2001.[ citation needed ]
Critical reception [edit]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 72/100[47] |
Review scores | |
Source | Rating |
AllMusic | [1] |
Billboard | favorable[sixteen] |
Christgau'south Consumer Guide | [48] |
Entertainment Weekly | B[21] |
Los Angeles Daily News | [49] |
MTV Asia | 8/10[50] |
NME | 8/ten[19] |
Rolling Stone | [22] |
Salon | favorable[51] |
Sonic.cyberspace | [52] |
Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once again received an boilerplate score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'Ane More Time'," but remarked that, "Fortunately, she and her product team non only have a stronger overall fix of songs this time, but they too occasionally get carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the album character autonomously from the well-crafted trip the light fantastic toe-pop and ballads that serve equally its centre. In the end, it's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that tin't be conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears every bit a immature woman coming to terms with her inner power—and that'due south a darn good message to offer an impressionable audience."[16] Entertainment Weekly's David Browne gave the album a B-rating, writing that the album "reminds u.s. once once more that the best new pop can be a boom of cool air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the album a three-and-a-one-half out of v stars rating, calling the anthology "fantastic pop cheese, with much meliorate vocal-manufacturing plant hooks than 'N Sync or BSB go", also noting that "the great affair about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of stone & roll tradition."[22] A writer of NME reported that "she's modern-24-hour interval pop perfection realised in a near, human form", commenting that "she'southward done it over again."[19] Lennat Mak of MTV Asia named information technology "a vivid second album", writing that Spears "is armed with a more than mature and seasoned pop star look, stronger and poppier songs, and of course, all-encompassing media exposure."[l] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message but for the fashion it applies the conventions of the pop-musical medium."[51] Website The A.Five. Society was more than mixed, calling information technology "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[54]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did It Over again reportedly sold 500,000 copies in its first day of release.[60] It debuted at number one on the Billboard 200 nautical chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest first-calendar week sales by a female person artist.[64] This record was held for xv years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 million albums in the United States in its showtime calendar week.[4] The album fell to number ii in its 2nd week, with additional sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did Information technology Once again had sold over iii million copies and had passed five million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[70] [71] The album spent fourscore-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[72] Oops!... I Did It Again debuted at number eighty-ii on the European Tiptop 100 Albums, and speedily peaked at number one;[73] it sold over iv million copies within the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did It Once more reached number two on the Britain Albums Nautical chart,[38] selling 88,000 copies in the get-go week of release; it remained in the tiptop five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[75]
Information technology topped the French Albums Chart[76] and the German language Offizielle Top 100, also being certified triple Platinum by the British Phonographic Manufacture (BPI),[77] double Gold by the Syndicat National de 50'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent x weeks in the height twenty;[80] it became the fourteenth highest-selling of 2000 in the land and was certified double Platinum past the Australian Recording Industry Association (ARIA) the post-obit year after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Once again opened at number three on the New Zealand Albums Nautical chart and was certified Gilded after but one calendar week on the chart.[83] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Again became the third all-time-selling album of 2000 in the United states of america, selling 7,893,544 albums according to Nielsen SoundScan[85] and 4th best-selling album co-ordinate to Billboard Year-Terminate of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Also, the album landed at number xx-seven on BMG Music Club all-time best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 1000000).[89] Equally of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such every bit the BMG Music Service.[90] Worldwide, Oops!... I Did Information technology Once more sold 2.five million copies in its first week (2nd highest outset week sales past a female artist worldwide) and sold xv one thousand thousand copies by the end of the year. It was the acknowledged female person album and 3rd best selling album of 2000. The anthology has sold twenty million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U Come across (Is What U Get)" and "Tin can't Make You lot Honey Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all See Is What You Get" in 1999 to one of Spears' representatives for consideration on a hereafter anthology, though information technology was rejected.[91] The case was after dismissed after it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the 2 songs to show copyright infringement."[92]
Track listing [edit]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
i. | "Oops!... I Did It Again" |
|
| 3:31 |
2. | "Stronger" |
|
| iii:23 |
iii. | "Don't Go Knockin' on My Door" |
|
| iii:43 |
4. | "(I Tin't Go No) Satisfaction" |
| Rodney Jerkins | 4:23 |
5. | "Don't Let Me Exist the Final to Know" |
| Lange | 3:l |
half-dozen. | "What U See (Is What U Get)" |
|
| 3:36 |
seven. | "Lucky" |
|
| 3:26 |
viii. | "I Kiss from You" | Steve Lunt |
| 3:23 |
9. | "Where Are You Now" |
|
| 4:39 |
ten. | "Can't Make You Love Me" |
|
| 3:17 |
11. | "When Your Optics Say It" | Diane Warren |
| four:29 |
12. | "Dearest Diary" |
|
| 2:46 |
Total length: | 44:37 |
No. | Championship | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
xiii. | "Love Diary" |
|
| ii:46 |
Full length: | 48:24 |
No. | Title | Author(due south) | Producer(s) | Length |
---|---|---|---|---|
xi. | "When Your Eyes Say It" | Warren |
| 4:06 |
12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
13. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
14. | "Dear Diary" |
|
| two:46 |
Total length: | 52:33 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
11. | "When Your Eyes Say It" | Warren |
| iv:06 |
12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
13. | "You Got It All" | Holmes | White | 4:ten |
xiv. | "Heart" |
|
| 3:31 |
xv. | "Dear Diary" |
|
| 2:46 |
Full length: | 55:34 |
No. | Title | Length |
---|---|---|
1. | "Don't Let Me Be the Concluding to Know" (Anthology version) | 3:50 |
two. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
3. | "Don't Allow Me Be the Last to Know" (Hex Hector Club Mix) | 10:12 |
iv. | "Stronger" (MacQuayle Mix Show Edit) | five:21 |
5. | "Stronger" (Pablo La Rosa'south Tranceformation) | vii:21 |
vi. | "Oops!... I Did It Again" (Music video) | 4:11 |
7. | "Lucky" (Music video) | 4:07 |
8. | "Stronger" (Music video) | 3:37 |
9. | "Don't Permit Me Be the Last to Know" (Music video) | iii:51 |
Full length: | 30:52 |
No. | Title | Length |
---|---|---|
1. | "Oops!... I Did It Over again" (Music video) | 4:20 |
2. | "Lucky" (Music video) | 4:14 |
3. | "Stronger" (Music video) | 3:47 |
iv. | "Oops!... I Did It Again" (Karaoke) | 4:17 |
five. | "Lucky" (Karaoke) | 4:18 |
6. | "Stronger" (Karaoke) | 3:46 |
Total length: | 25:25 |
Notes
- Track 4, "(I Tin can't Get No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Stonemason, Sr. – editing
- Bobby Dark-brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – banana engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Spud – fine art direction, design
- Mark Seliger – dorsum cover, cover photo
- Larry "Stone" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Forest – keyboards
- Elan Bongiorno – make-upwards
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Dark-green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Hairdresser – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweetness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run across also [edit]
- Listing of best-selling albums
- List of best-selling albums by women
- Listing of best-selling albums in the U.s.
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did It Again has sold ix,201,000 copies in the United States according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly pop in the 1990s.[90]
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- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did Information technology Once more')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning 20 years old in 2020". Official Charts Company. Retrieved nine Jan 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did It Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did It Once again in the "Search BPI Awards" field and so printing Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'southward 'X'-cellent Sales". Billboard . Retrieved April 14, 2022.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Manufacture.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Over again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Over again - Amazon
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. Oct nine, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did It Over again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th ceremony edition moving-picture show vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Simply Hits. Year past yr. 1959-2002] (in Castilian). Madrid, Kingdom of spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
gabrieleformened1942.blogspot.com
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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